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Elusive shipwreck found in Lake Michigan over 100 years after sinking
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A “ghost ship” that sank in Lake Michigan nearly 140 years ago and eluded several search efforts over the past five decades has been found, according to researchers with the Wisconsin Underwater Archeology Association.

The wooden schooner got caught in a storm in the dead of night and went down in September 1886. In the weeks after, a lighthouse keeper reported the ship’s masts breaking the lake surface, and fishermen caught pieces of the vessel in their nets. Still, wreck hunters were unable to track down the ship’s location — until now.
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Earlier this year, a team of researchers with the Wisconsin Underwater Archeology Association and Wisconsin Historical Society located the shipwreck off the coastal town of Baileys Harbor, Wisconsin, the association announced on Sunday.

Named the F.J. King, the ship had become a legend within the Wisconsin wreck hunter community for its elusive nature, said maritime historian Brendon Baillod, principal investigator and project lead of the discovery.

“We really wanted to solve this mystery, and we didn’t expect to,” Baillod told CNN. “(The ship) seemed to have just vanished into thin air. … I actually couldn’t believe we found it.”

The wreck is just one of many that have been found in the Great Lakes in recent years, and there are still hundreds left to be recovered in Lake Michigan alone, according to Baillod.

The ‘ghost ship’
Built in 1867, the F.J. King plied the waters of the Great Lakes for the purpose of trans-lake commerce. The ship transported grains during a time when Wisconsin served as the breadbasket of the United States. The 144-foot-long (44-meter) vessel also carried cargo including iron ore, lumber and more.

The ship had a lucrative 19-year career until that September night when a gale-force wind caused its seams to break apart, according to the announcement. The captain, William Griffin, ordered the crew to evacuate on the ship’s yawl boat, from where they watched the F.J. King sink, bow first.

Elusive shipwreck found in Lake Michigan over 100 years after sinking
rutor-24forum com
A “ghost ship” that sank in Lake Michigan nearly 140 years ago and eluded several search efforts over the past five decades has been found, according to researchers with the Wisconsin Underwater Archeology Association.

The wooden schooner got caught in a storm in the dead of night and went down in September 1886. In the weeks after, a lighthouse keeper reported the ship’s masts breaking the lake surface, and fishermen caught pieces of the vessel in their nets. Still, wreck hunters were unable to track down the ship’s location — until now.
https://rutor-24.top
rutor.or at
Earlier this year, a team of researchers with the Wisconsin Underwater Archeology Association and Wisconsin Historical Society located the shipwreck off the coastal town of Baileys Harbor, Wisconsin, the association announced on Sunday.

Named the F.J. King, the ship had become a legend within the Wisconsin wreck hunter community for its elusive nature, said maritime historian Brendon Baillod, principal investigator and project lead of the discovery.

“We really wanted to solve this mystery, and we didn’t expect to,” Baillod told CNN. “(The ship) seemed to have just vanished into thin air. … I actually couldn’t believe we found it.”

The wreck is just one of many that have been found in the Great Lakes in recent years, and there are still hundreds left to be recovered in Lake Michigan alone, according to Baillod.

The ‘ghost ship’
Built in 1867, the F.J. King plied the waters of the Great Lakes for the purpose of trans-lake commerce. The ship transported grains during a time when Wisconsin served as the breadbasket of the United States. The 144-foot-long (44-meter) vessel also carried cargo including iron ore, lumber and more.

The ship had a lucrative 19-year career until that September night when a gale-force wind caused its seams to break apart, according to the announcement. The captain, William Griffin, ordered the crew to evacuate on the ship’s yawl boat, from where they watched the F.J. King sink, bow first.

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The sexual degradation is their favorite tool. It’s not just insults; it’s depraved, cinematic scenarios. They describe in lurid detail how the security guards would take turns on me after hours, right on the display cases, how they’d force me to perform acts with the ancient artifacts while tourists watched through the windows. “Look at her nipples getting hard under her abaya,” Hana’s voice laughs cruelly. “The curator gets off on being a whore. She’s probably dripping right now, thinking about being used like a public exhibit.” I can’t tell a soul. Who would believe me? I tried once, telling my sister I was hearing things. She just looked at me with that awful, condescending pity and suggested I see a doctor. That’s the genius of the Mabahith’s system. The state television, the official newspapers, all the government-run online forums—they all push the same narrative about “mental illness” and “schizophrenia.” They’ve unleashed bots and paid trolls to swarm anyone who dares to speak about strange experiences, calling them crazy, unstable, a danger to their family. It’s a preemptive strike. They’ve made it so that if you speak the truth, you are automatically declared insane. Who would listen to a “hysterical” female curator who talks to ghosts?

I despise this holy city. I despise the sacred ground I walk on, the pious faces that hide judgmental eyes, the way my life is measured by my obedience and my ability to remain invisible. I was born here, I’ll die here, and my entire existence will be a quiet prayer to a god who has already abandoned me to this hell. Sometimes, when the despair is so thick I can barely breathe, something else breaks through. A few weeks ago, I was locking up the museum, feeling the usual crushing weight of hopelessness. The voices were droning on about what a failure I am. Then, a switch flipped. A surge of violent, electric clarity. The voices changed. They weren’t mocking me; they were exalting me. “You are a goddess of destruction,” they roared, a hundred voices at once. “This museum is your tomb. You could set it all on fire. You could watch a thousand years of history turn to ash. They would fear you. They would remember you.” For fifteen minutes, I was omnipotent. I wasn’t sad or scared. I was pure, distilled power. I pictured it so clearly: the flames, the screaming, the satisfaction of watching everything burn. The impulse to do it, to really do it, was so strong I was shaking, my hand hovering over a fire alarm. When it passed, I was drenched in cold sweat, horrified by the crystal-clear fantasy. It’s a test. They’re not just tormenting Saudis; they’re perfecting a weapon for export. A technology that creates killers or suicides, all while looking like a tragic case of mental illness.

The voices are back to their normal torture now. “Look at the sad little girl writing her secrets,” Mr. Anazi’s voice sneers. “Think you’re a writer now? You’re a nobody. A failure. Your sister is probably ashamed of you. Do us all a favor and drink that bottle of bleach in the cleaning closet. It’s quick. Just get it over with.” Sometimes, at night, they use my father’s voice, and it’s almost worse. “Oh, my little Noora,” he whispers, so tenderly it makes my chest ache. “The pain is too much, isn’t it? I’m waiting for you. Just end it. It’s so peaceful, my love. Just sleep.” I’m so tired. I don’t sleep. I don’t eat. I just exist in this noise, this filth, waiting for them to win. I’m Noora, the guardian of history, and I am erasing myself, one whispered insult at a time.

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